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Herr Gott, dich loben alle wir, BWV 130
・ Herr Gott, dich loben wir
・ Herr Gott, dich loben wir, BWV 16
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・ Herr Jesu Christ, wahr' Mensch und Gott, BWV 127
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Herr Gott, dich loben alle wir, BWV 130 : ウィキペディア英語版
Herr Gott, dich loben alle wir, BWV 130

| movements = 6
| text_poet = anonymous
| chorale =
| vocal = choir and solo
| instrumental =
}}
' (Lord God, we all praise you), , is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig in 1724 for Michaelis, the feast of Michael, the archangel, on 29 September 1724. It is based on the ()] by Paul Eber (1554).
== History and words ==

Bach composed the cantata in his second year in Leipzig for the St. Michael's Day.〔〔 That year, Bach composed a cycle of chorale cantatas, begun on the first Sunday after Trinity of 1724.〔 The feast celebrated the Archangel Michael and all the angels each year on 29 September.〔 In Leipzig, the day coincided with a trade fair.〔
The prescribed readings for the Sunday were from the Book of Revelation, Michael fighting the dragon (), and from the Gospel of Matthew, heaven belongs to the children, the angels see the face of God (). The cantata is based on a song in twelve stanzas by Paul Eber (1554),〔 a paraphrase of Philipp Melanchthon's Latin "ラテン語:Dicimus grates tibi".〔〔 Each stanza has four lines. The melody was first printed in the Geneva Psalter in 1551.〔 It is attributed to Loys Bourgeois and is known as the famous tune of the Doxology "Praise God, from whom all blessings flow".〔
The hymn is only distantly related to the readings, concentrating on the thought that the Christians sin and deserve bad treatment, but may be raised to joy in a "ドイツ語:seliger Tod" (blessed death). An unknown poet kept the first and the last two stanzas as movements 1, 5 and 6 of the cantata. He derived movement 2, a recitative, from stanzas 2 and 3, movement 3, an aria, from stanzas 4 to 6, movement 4, a recitative, from stanzas 7 to 9, and movement 5, an aria, from stanza 10. The theme of the song, praise and thanks for the creation of the angels, is only distantly related to the readings.〔 In movement 3, a connection can be drawn from the mentioning of Satan as the "ドイツ語:alter Drachen" (old dragon), to Michael's fight.〔 Movement 4 shows examples of angelic protection in the Bible, of Daniel (), and of the three men in the fiery furnace (). Prayer for protection by angels, as Elijah taken to heaven (), continues the text, concluded by general praise, thanks and the request for future protection.〔
Bach first performed the cantata on 29 September 1724.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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